Feb 17 2018
I shoot a lot in front of live audiences, sometimes sizable ones. The places where I do this, let’s face it, are hardly inspirational. They tend to be gray, or beige, or black. The walls are blank. They recede by design. Hence, onstage, when I look out at this bland space, I will, at least occasionally, think of taking a ride into the valley of the gels, as friend and peerless shooter Greg Heisler used to describe it. In these blank rooms, color is often the first refuge I seek.
It was such a day last week in London, at a lighting seminar created and staged by Nikon School UK and Neil Freeman, a talented shooter who runs the wonderful educational programs with a great team in the UK for Nikon. We had help from the stalwart crew at Lastolite by Manfrotto who stepped up and brought tons of kit to play with.
It was a very different approach for Alfie out on the street. One Speedlight through an Ezybox hotshoe soft box, and done. Less glitz, more character.
I had MMA fighter Alfie Davis, who’s on a winning streak, and competing next in Dubai. He’s a great physical presence, so a rim-light type of an approach worked. Put red gels on two SB-5000 units in the back of the room, controlling them with radio and winging them right at Alfie. The overhead light is the Speedlight 2 softbox, with a grid, but it really just lights him a little and gives that highlight in his hair. The main deal is a blue gelled flash I have banging into a silver tri-grip reflector that he is actually standing on. The whole thing was an impromptu wing and a prayer in terms of a lighting solution, and our enthusiastic crowd helped out by standing and cheering Alfie in the background. Nothing like a little audience participation!